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dditionally, the other casts like her aunt and her classmate recur time
after time yet they’ve only gotten to furnish themselves through a short
span of significant exchange of words. The few count of characters also
allows the crafty portrayal of naturalism to strikingly wallop the viewers
in sheer amazement. To boot, although the entire plot only circulates around
a constant repetition of three days, everyone gets to have their characters
meliorated, but not as much as the centerpiece, Makoto.
There is an impinging sense of realism in the depiction of TokiKake’s
characters which resplendently forbids the viewers from sorting them to the
formulaic pieces of most of the anime series out there. Makoto’s personation
in the film precisely limns every tad of naiveté crafted from an adolescent’s
innocence. And with the attachment of time travelling, the viewers are stipulated
to relive their high school lives through the bitsy merriment of experiencing
the amusements over and over again. Having these naturalistic portrayals of
sappiness in the characters, which are rarely exhibited in