Anderson Ranch Arts Center Workshop Catalogs 2010-2014 | Page 32

Matthew Hebert, CNC Chairs Susan Hagen, Christopher David Trubridge, Sola June 10 - 21 June 10 - 14 June 24 - 28 the art of CNC joinery Puzzlin’ Evidence:  Figurative Wood Sculpture:  monuments of miniature memory Matthew Hebert Susan Hagen SKILL LEVEL: II - IV SKILL LEVEL: I - III CONCEPT: The CNC (computer numerically controlled) router is known for precision and accuracy in mass-produced designs. This course presents the basics of CNC cut wood joinery. We learn to model projects in Rhino software and cut them using the CNC router. We discover how to turn the limitations of the CNC router into aesthetic opportunities. Students design and build small-scale furniture objects such as stools, occasional tables and small cabinets. CONCEPT:  Using milled lumber and wood scraps, including beads, sticks and found objects, we construct and carve sculptures of animals, humans, imaginary creatures and keepsakes. Inspired by dreams and memories, we learn to develop sketches and maquettes, basic additive woodworking processes, carving and sharpening. Students should arrive with a strong desire to share ideas, make new discoveries and work hard. Designing for a CNC Router  David Trubridge SKILL LEVEL: II - IV CONCEPT:  This course explores a design process for CNC machining, integrating computer design with programs such as Rhino and formZ. We design a 3-D structure that uses the minimum amount of wood. Our objective is to nurture complex 3-D thinking while developing an understanding of structures and compound curvature, rather than simply stacking or interlocking flat shapes. A beautifully-realized, finished piece is not expected: it is the learning that matters. MEDIA & TECHNIQUES: Sheet materials, particularly plywood, is our primary resource. Students must be competent in 3-D computer modeling and bring their own laptops. A trial version of Rhino is available in the studio. An ability to use a parametric program such as Grasshopper is a bonus but not required. MEDIA & TECHNIQUES:  Woodworking applications utilizing computer-aided design (CAD) and computer-aided manufacturing (CAM). Proper use of the CNC router. Though standard techniques apply to solid wood production, we focus on plywood construction as an appropriate introduction. MEDIA & TECHNIQUES:  The focus of this class is sculptural wood construction—including techniques of lamination, basic joinery, handcarving and mechanized carving processes— plus sharpening and finishes, including paint, stains, oils and wax. Preparatory processes include photography, Photoshop, drawing, maquettes and design. ACTIVITIES: We begin with conventional model making using chipboard. Once models are made, students recreate 2-D patterns in Rhino. CNC toolpaths are created using RhinoCAM. Final projects are cut out of plywood on the CNC router. ACTIVITIES:  Susan leads technical demonstrations, slide presentations, discussions and critiques to familiarize students with approaches to figurative sculpture throughout history. Most class time is devoted to studio work and innovation. FACULTY:  Matthew Hebert creates work dealing with technology, tracking its effects on the domestic environment and our sense of space. Matthew received his B.A. in architecture from UC Berkeley, and his MFA from California College of the Arts. He is currently assistant professor of furniture at San Diego State University.   www.eleetwarez.net FACULTY:  Susan Hagen is an artist, writer and educator. She is the recipient of awards from the Ragdale Foundation, the George Sugarman Foundation, the Leeway Foundation and the Independence Foundation. Her work will be featured in one-person exhibitions at Philadelphia’s Center for Art in Wood and Schmidt Dean Gallery in 2013.   www.missioncreep.com FACULTY: David Trubridge is New Zealand’s best known designer. His work, which his company manufactures, is sold all around the world. He is an instigator of a “raw sophistication” trend and an exemplar of environmentally responsible design. In 2008, the French magazine Express listed him as one of the top 15 designers in the world. In 2012, the Pompidou Centre in Paris purchased his “Icarus” installation for its permanent collection.   www.davidtrubridge.com Tuition: $975  OR  Tuition + Studio Support Donation: $1375 Studio Fee: $155 Code: W0203 Enrollment Limit 10 Tuition: $675  Ը