Anderson Ranch Arts Center 2015 Summer Workshop Catalog 1 | Page 55

painting & drawing

David Hornung, Hoarfrost (detail)

Alex Blau, Storm Cloud

Craig Drennen, Hello Craig (detail)

June 15 - 19

June 15 - 19

June 29 - July 3

David Hornung

Alex Blau

Craig Drennen

SKILL LEVEL: I - Il

SKILL LEVEL: Open to all

SKILL LEVEL: IV (Portfolio review required.)

CONCEPT: Cyanotypes capture sunlight on light-sensitive
material to produce images from the photographic to the
handmade. In this workshop we explore a variety of ways
to generate imagery and create translucent stencils to
make “cyanotype collages” on muslin. Photographs,
drawings, cut paper and any object that can be used to
block light can be composed to make a poetic image. The
rich blue color and smoky, in-and-out-of-focus quality
imbue cyanotypes with an inherent sense of mystery that
attracted major artists in the 20th century including Man
Ray, Rauschenberg and Picasso.

CONCEPT: This workshop pursues the idea that abstract
painting has its roots in our everyday experience.
Students gather ideas and images from their surroundings
and learn to use collected material in creating artwork.
Through this process we explore pattern, geometry, color
and new materials to create paintings, drawings and
collages.

CONCEPT: This workshop includes daily group
discussions based on readings, individual critiques with
the instructor and group critiques with all participants.
The primary topic is the sustained exploration of
theoretical debates that run through the critical discourse
of contemporary art, and how participants access that
discourse. In particular, we examine critical thinking
and studio practice through the lens of Lyotard’s, The
Inhuman.

The Cyanotype Collage

MEDIA & TECHNIQUES: Acetate panels with visual
elements attached to them are exposed to the sun
against cotton muslin that has been treated with photo
emulsion. The cyanotype can then be mounted on wood
panels, stretched, or hung loosely.
ACTIVITIES: We start with an introductory
demonstration and slide show, then spend our time in
individual exploration and experimentation with the
cyanotype technique. The instructor provides guidance
and organizes critiques and discussions. Students are
encouraged to adapt the cyanotype technique to their
personal goals and aesthetic preferences.

Mining for Abstraction

MEDIA & TECHNIQUES: Students practice with acrylic
paint, colored pencil, marker, collage, wax and gels.
Techniques include stencils, masking and washes.
ACTIVITIES: We engage in exercises designed to
bring each student’s interests and personality into their
abstract paintings. Slide lectures, group discussion and
one-on-one critiques.
FACULTY: Alex Blau received an M.F.A. from Rhode
Island School of Design. Alex has had solo shows at
several venues, including Firecat Projects in Chicago,
Gallery Seomi in Seoul, Mark Moore Gallery in Santa
Monica, Kevin Bruk Gallery in Miami and the New Britain
Museum of American Art. She currently teaches at Austin
Peay State University.
www.alexblau.com

FACULTY: David Hornung is a painter and author. He
has taught at a number of art schools and universities
including Parsons, Pratt, Brooklyn College and the Rhode
Island School of Design. His book, Color: A Workshop
for Artists and Designers is used internationally and has
been translated into five languages.
www.davidhornung.com

Tuition: $920 OR Tuition + Studio Support Donation: $1120
Studio Fee: $75  Code: D0304  Enrollment Limit 10

Tuition: $920 OR Tuition + Studio Support Donation:$1120
Studio Fee: $75  Code: D0303  Enrollment Limit 10

Advanced Critique Seminar

MEDIA & TECHNIQUES: This course is designed for
artists working across a broad range of interdisciplinary
media, including painting, sculpture, installation, video,
sound, performance, and social practice. Students bring
one example or their work if possible, and a digital
portfolio of their current studio work. Participants conduct
a modest amount of new studio production if inclined, but
it is not required.
ACTIVITIES: We learn through seminar-style discussion
of reading assignments as well as individual critiques.
FACULTY: Craig Drennen is represented by Samsøn
gallery in Boston and Saltworks in Atlanta. His work
has been reviewed in Artforum, Art in America, and The
New York Times. He teaches at Georgia State University,
served as dean of the Skowhegan School of Painting and
Sculpture, and is on the board of ART PAPERS magazine.
www.craigdrennen.com

Tuition: $920 OR Tuition + Studio Support Donation: $1120
Studio Fee: $75  Code: D0506  Enrollment Limit 10

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