An Artist's Guide to Plein Air Painting Oct. 2015 | Page 26

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Here I have used cad red light and raw sienna to one the board. Use
acrylics for this as it dries quicker unless you want some oil toner to
mix with your first layers. I have used a smaller brush to quickly draw
in the main composition using a turpsy mix of ultramarine and alizarin
crimson.

Figure 12 Basic composition drawn in on toned panel

An Artist’s Guide to Plein Air Painting

Malcolm Dewey