An Artist's Guide to Plein Air Painting Oct. 2015 | Page 20
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Consider the shape of trees and bushes. They are distinctive so
try and render the shape with accuracy. Forget about the leaves.
We are after shapes. Also the nature of the tree. A eucalyptus tree
is soft and wavy compared to a solid oak tree.
What part does indirect light play on the underside of the tree and
branches? Lighten and warm colors to make allowance for this.
Aerial perspective - lighten and cool the colors in the distance. You
will not be able to see reds and browns in the far distance so grays
and cooler earthy colors will take over. Observe and mix
accordingly.
Keep light consistent. A warm light will be consistent throughout
for instance in the morning or afternoon so keep this in mind for
harmony. Accurate color notes are a benefit of close observation.
Working outdoors or from life puts you in
direct contact with the life force, not just
the light and the landscape, but also the
vitality of the world around you. (George
Carlson)
TIPS FOR YOUR APPROACH TO PLEIN AIR PAINTING:
Paint what you love. The results will speak louder if there is an
emotional connection between you and the subject.
Start with a small sketch. The two value notan is ideal to test your
composition.
Big shapes and distinct light and dark value changes make
stronger paintings. Seek them out.
Crop the scene with a viewfinder. Change viewpoints if this helps
you make a stronger composition.
An Artist’s Guide to Plein Air Painting
Malcolm Dewey