American Women's Club of Hamburg Currents Magazine January 2014 | Page 32

AR TS & ENTER TAINMENT Ar t in the City by Ulrike H. Haus der Photographie, Deichtorhallen GUY BOURDIN RETROSPECTIVE through January 26, 2014 The legendary photographer Guy Bourdin (1928– 1991), whose career spanned more than forty years, worked for the world’s leading fashion houses and magazines. With the eye of a painter, Guy Bourdin created images that contained fascinating stories, compositions, both in B&W and in color. This most comprehensive exhibition to date is both an overview of the essential components of Guy Bourdin’s oeuvre and an introduction to unveiling works from his personal archives which have never been seen before.This is the first time that both his works as a painter and his notes on films will be shown at an exhibition. B&W shots dating from the 1950s are also included, showing portraits of artists and views of the city of Paris as well as Polaroids, sketches and texts. The exhibition examines Guy Bourdin’s oeuvre, but moreover, it provides insight into the complex working processes of the photographer’s mind and aims to establish his status as a visionary image-maker. Pentax-Kalender, 1981. Asahi Optical Company Limited. Tokyo, Japan. © Estate of Guy Bourdin (WITH HEART) 32 Hamburger Kunsthalle Two exceptional women artists at the Galerie der Gegenwart through March 2, 2014 Gego Line as Object Gego during installation of Reticulárea. Museo de Bellas Artes, Caracas 1969 Photo: Juan Santana © Fundación Gego Gertrud Goldschmidt (Hamburg, 1912–Caracas, 1994), widely known as Gego, was one of the most important women artists in Latin America. Born and brought up in Hamburg, she originally trained as an architect in Stuttgart. Gego was of Jewish origin and emigrated in 1939 to Venezuela, where she began working as an artist and also as a university teacher. Her delicate, rhizomatically structured objects made of metal and wire challenged the traditional definition of sculpture as an enclosed mass and volume. Gego also pursued transparency and lightness in her numerous works on paper, where she employed lines as objects. Her groundbreaking and experimental approach to sculpture and ‘drawing in space’ had a significant influence on subsequent generations of artists in Latin America, leaving its mark on contemporary art far beyond Venezuela. In Europe, on the other hand, Gego’s work is much less well known. This exhibition – the first of its kind in Germany – is therefore a tremendous opportunity to experience her unique work at first hand. American Women’s Club of Hamburg e.V.