American Circus Educators Magazine Winter 2018 (Issue 3, Volume 14) | Page 20

EDCON 2018: RIGGING RIGGING SIDEBAR: IS MY RIGGING STRONG ENOUGH? A Ridiculously Oversimplified Introduction to Understanding Equipment Strength 1/ HOW STRONG DOES IT NEED TO BE? When you use a piece of equipment for aerial performance, you are imposing loads and forces on it that are much greater than just the weight of the performer and apparatus. These include dynamic loads caused by movement (including “drops”), resultant forces, and sometimes extreme forces produced by flat bridle angles. It is important to know, at least generally, how much force your performance generates in normal circumstances. The ANSI standards call this the “Characteristic Load.” A typical fabric act, when dead- hung from a single point with a recreational performer of average weight and skill, can typically generate a Characteristic Load in the neighborhood of 500-800 lbs./force, but it could generate significantly more. So the first step, always, is to know your loads. 2/ HOW STRONG IS IT? EQUIPMENT RATING AND MARKING: As a place to start, we need to know how much of a load our equipment is built to hold, and the best source for that information is the people who designed and built it. §4.7.2 Purchased load-bearing hardware shall either have a marked load rating, grade rating, or have an identifying marking that corresponds to catalog listed ratings, or be supplied with documentation of its strength, working load limit, or ultimate breaking strength. ANSI Standard E1.43 – 2016 Performer Flying Systems The Working Load Limit (WLL – sometimes indicated as Safe Working Load – SWL, or Allowable Load) refers to the maximum WEIGHT of the performers and apparatus that the manufacturer says you can put on the equipment or structure. While stuff built for industrial use usually has a Working Load Limit, stuff built for climbing, rescue and related uses often shows only the Minimum Breaking Strength (MBS, sometimes indicated as BS or UBS). These manufacturers are assuming that the users are experts who are competent to determine the appropriate Working Load Limit for their use. Circus Arts Therapy® Trainings: For those interested in using the Circus Arts to compliment your program or practice to help others Aerial Teacher Trainings: 3/ WHAT DOES THIS MEAN TO ME? Obviously, you should never intentionally load a piece of equipment to anywhere near its Breaking Strength. We use a number called a Design Factor (sometimes also called a Safety Factor), to create a clear relationship between our WLL and the BS of the equipment. Design factor is the ratio of the load limit (WLL) to the Breaking Strength (BS). §4.7.3 Load-bearing hardware shall be designed and selected with a minimum design factor of 10X WLL, 6X characteristic load and 3X peak load. This training, with the potential for certification, is for teachers and students who want to ensure that their studio adheres to the highest safety standards Offering nine-month programs in contemporary circus artistic creation and skill development in Portland, Oregon. Visiting artists always welcome. All trainings are led by Carrie Heller, MSW, LCSW, RPT, co-founding member of AYCO, Author of the Aerial Circus Training and Safety Manual in Atlanta, GA We are proud to be the first Teacher Training Program in America to be recognized for our excellent standards. celebrating 10 years thecircusproject.org www.CircusArtsInstitute.com Example 1: If your hardware has a breaking strength of 5,000 lbs/force. (or just over 22 kN), and you apply a design factor of 10, you would have a WLL of 500 lbs. and a limitation on characteristic load of 833 lbs. Example 2: If you know that your performance is going to generate a characteristic load of 800 lbs. or so, and you apply a design factor of 6, you would need equipment with a minimum breaking strength of 4,800 lbs. Note: The term “Peak Load” in the ANSI Standards means something different and more complicated—usually related to worst-case failures in automated systems— and is beyond the scope of this article. For most typical manual rigging, think of the biggest possible dynamic load which could occur if something goes wrong, and use that as the Peak Load. Live Teacher Trainings Aerial Silks ~ Sling ~ Trapeze ~ Lyra ~ Rope Bungee ~ Aerial Yoga Locations USA ~ UK ~ Europe ~ Australia/New Zealand Certificate Program 20 Circus Peg Stilts for Kids & Adults Handstand Training Blocks Stilt Costumes Circus Camp Equipment Online Mentorship ________________________________________________________________________________________________________________ www.borntoflyteachers.com www.PegStilts.com Woman Veteran Handmade in the USA since 2008 21