American Circus Educators Magazine Spring 2017 (Issue 1, Vol 9) | Page 30

Left Photo from Holly Treddenick Video Exerpts from Circus Sessions 2016. Produced by Femmes du Feu in partnership with Harbourfront Centre. taking the next step and putting a call out to artists. 30 Acrobats! Aerialists! Come Explore the Circus Arts at NECCA! COME TO NEW ENGLAND’S NEWEST CIRCUS FACILITY AND BUILD YOUR SKILLS WITH WORLD-CLASS COACHES Make no mistake, the creation of a residency program such as Circus Sessions is no small undertaking. “I’ve been putting on cabarets since I was in my twenties,” said Treddenick. “Circus Session came together after all of those years of experience.” There are going to be hiccups along the way and learning that goes along with making mistakes. Looking beyond the initial challenges, the learning opportunities presented by such a program are invaluable to the community as a whole. Learning is a lifelong process. The way learning is presented is constantly evolving in response to how people learn. Are circus residency programs the future of the genre and a great development tool? Only time will tell. Jackie Houghton, in her non-circus life, is an elementary school teacher. Before becoming a teacher, she studied journalism at Ryerson University in Toronto. Outside of the classroom, she enjoys training aerial silks. She has been training for the past 9 years and instructing beginner-level aerial silks for the past year. Since the inception of Circus Sessions, she has combined her love of writing and circus to compose a number of blog posts for the Harbourfront Centre Blog focusing on various aspects of the program. Initially, these blogs were artist spotlights. Now, these pieces focus more on ideas embedded in the program, including the history of women in circus, female entrepreneurs in the circus world, and how motherhood affects circus performers. She looks forward to having more opportunities to write and delve more deeply into the contemporary circus community. YOU ARE GOING TO HAVE TO CHOOSE HOW MANY PEOPLE WILL PARTICIPATE AND HOW YOU WILL CHOOSE THOSE THEM What will you ask them to submit? Most likely this will be a CV, a video reel, and some sort of written statement explaining their interest in the program and their goals and expected outcomes for the residency. For youth students is might be a simple audition or written statement on why they would like to participate. Choosing will take time and require more than one set of eyes, so who is going to help you? When producers choose well, magic happens! After the glitter settled on last year’s performances, Ball and Vanessa Furlong continued to meet and create despite living 900 miles apart. The two wanted to continue exploring a concept that brought them together during Circus Sessions. “Basically we have continued working together and we are working on an entire show. We have discovered many interesting ways of moving together, many of them involve legs and attachments, hence our name: LEGacy Circus. We get together now for 2-3 days at a time to rehearse and create and we barely come up for air!” says Ball. The importance of having an exceptional group of participants that are willing to take risks and be open to new learning cannot be underestimated. It could mean the success or failure of the program. • New England Center for Circus Arts New England Center for Circus Arts WO RKS HOP S • CAMPS • CLAS SES • PE RF O RM A N C 802-254-9780 31 www.necenterforcircusarts.org Brattleboro