Africa's Finest Magazine FSHN WKND Magazine 2018 | Page 25

F olarin’s ascent as an entertainer has been rapid and unrivalled. Rapid because only 9 years into the business of entertainment, he’s already become one of the biggest acts out of Africa - not a very common feat. Unrivalled not because his talents are solely peculiar to him, but because he’s simply a brilliant and effortless genre-straddler. He has perfected the art of meshing his different talents without losing his originality- Today, a hit-song maker, tomorrow a comedian, an actor the day after, Folarin cannot be put in a box. “Falz the bahd guy is a multifaceted individual and brand, he’s a guy with a lot of alter egos. Falz the bahd guy is an artist that entertains, enlightens and educates. I’m an entertainer because there’s a lot of humour in my music and my other personas, I enlighten because music is a tool that we have to use to broaden people’s horizons. Lastly, I educate because a lot of people don’t know better when it comes to certain things and being that I’m in a position of privilege, I have the opportunity to pass a message, and so I do that with my music”. He unabashedly admits. Just watching Folarin take on the world, one stage at a time, makes it rather hard to reconcile the fact that he has an LLB honors degree in Law from the University of Reading and has been called to the Nigerian bar. Safe to say that entertainment has turned out to be a successful passion pursuit for him - the wordpower being passion. “Passion is why! I’m very passionate about entertainment and music. I always saw myself doing this and at the highest level too. Law is something I love doing as well but I wanted to do the one I was most passionate about, that’s why I’m here.” Beyond music, Folarin’s acting career has seen an upward trajectory - He is now the first musician to have won two AMVCA awards. On paper, it may seem like there is no relation between his musical and acting personas, but his roles as Segun in Funke Akindele’s popular TV series “Jenifa’s Diary” and Qwam in Tope Oshin’s “New Money” both highlight the parasitic nature of relationships in the society. While it may be easy to get lost in all the humour and finely-calibrated, upbeat numbers Folarin constantly doles out in his music and his acting, a closer look at him and you’ll see that his genius spans beyond being just a performer. Folarin is currently setting himself up to become something of a socio-political revolutionary and the best part being that he has made music the primary outlet for his messages of “wokeness” as he prefers to call them - quite reminiscent of Afrobeat creator and human rights activist, Fela Anikulapo Kuti. “Socio-political consciousness has always been in my music. Initially, that consciousness wasn’t very pronounced because it was laced with a lot of humour because before the time of “This Is Nigeria”, there were tracks like “Senator”, “My People” and “Wehdone Sir”. So, yes, consciousness has always been a part of my brand.” Enter his most controversial hit till date, “This is Nigeria” - an adaptation of Childish Gambino’s “This Is America”. In it, Folarin didn’t hold back as he samples the pain points of being Nigerian in an almost 4-minute long clip. While “This Is Nigeria” may have racked up 4.3 million-plus YouTube views, becoming the rapper’s second most popular video, the almost 6,000 thumbs downs made it his most ‘disliked’ effort by a long way as well. However, whether liked or disliked, his motive which was to conscientize the public on societal shortcomings was glaring, confirming that he is not at all afraid to speak out. “Everyone has a breaking point and I think Nigerians are getting to that point - we’re quite frustrated with the millions of problems we’ve been facing. So, now we want to see something different, we want to see a change which means that the perfect time to talk about it is NOW.” he affirms. Folarin continues to prove that his advocacy for political and social consciousness is but a fad. A step further from music, he launched an internet talk show entitled “On The Couch” which he anchors alongside his longtime friend, broadcast journalist and founder of We Rise Initiative, Laila Johnson-Salami. Birthed out of the need to be more aware, Folarin, leveraging on his star power, aims to use the show to sensitize Nigerian youths about the social and political climate via informal conversations. “There is a serious need to eradicate apathy especially with the Youth. When you talk about politics, a lot off young folks could care less but I feel that if we all want to see that Nigeria that we dream of , the one with a bright future, then we can’t afford to have that sort of mindset.” He says. While some now argue that Folarin is fast transitioning from universally-loved funnyman to a contentious national figure as he touches on unpopular topics like yahoo-yahoo culture, corruption in the Nigerian Police Force, class stratification, rape and more, by way of his music, Folarin’s stance on these issues remains unwavered. “People usually steer clear of these topics because they’re quite sensitive issues and they want to be careful. However, I feel it is important to talk about them because if we don’t, we’re just going to keep sweeping the dirt under the carpet. We need to talk about these things in order to let the culprits know that they’re actions are unacceptable and that there are consequences.” he responds without the slightest form of hesitation. In truth, Folarin Falana is living up to his moniker “Falz The BAHD Guy” which really is an acronym that stands for “Brilliant and Highly Distinct”. As his genius continues to unfold, unmasking the comedy candy disguise, Folarin proves that far from being just an entertainer, he is also an agent of change. 25