WORKS CITED
Baldwin, James. The Fire Next Time. 1963. Reprint.
New York: Vintage Books, 1993. Print.
Baldwin, James. “Sweet Lorraine.” 1969. To Be Young,
Gifted, and Black: Lorraine Hansberry in Her Own Words.
Ed. Robert Nemiroff. Reprint. New York: Signet Classics,
2011. xi-xv. Print.
Bernstein, Robin. “Inventing a Fishbowl: White Supremacy
and the Critical Reception of Lorraine Hansberry’s
A Raisin in the Sun.” Modern Drama 42.1 (Spring 1999):
16-27. Project Muse. Web. 4 June 2016.
Jones, Bessie W., and Audrey Vinson. “An Interview with
Toni Morrison.” Conversations with Toni Morrison. Ed.
Danille Taylor-Guthrie. Jackson: University of Mississippi
Press, 1994. 171-187. Print.
Lorde, Audre. “Uses of the Erotic: The Erotic as Power.”
Sister Outsider. Berkeley: The Crossing Press, 1984.
53-9. Print.
Vintage Black Glamour. “The good folks at Lorraine
Hansberry Documentary Project have put to rest. . . .”
18 May 2016, 10.12 a.m. Facebook.
Conner, Marc C. “Introduction: Aesthetics and the African
American Novel.” The Aesthetics of Toni Morrison:
Speaking the Unspeakable. Jackson: University of
Mississippi Press, 2000. ix-xxvii. Print.
One of the most famous photos of these two Black writers is
Hansberry, Lorraine. A Raisin in the Sun. 1959. Reprint. New
York: Vintage Books, 1994. Print.
as Lorraine Hansberry, she is actually Doris Jean Castle, a
Howard-Pitney, David. The African-American Jeremiad:
Appeals for Justice in America. Philadelphia:
Temple University Press, 2005. ProQuest ebrary.
Web. 4 June 2016.
Glamour). Nonetheless, the photo is a powerful representation
not a photo of them at all. Although Baldwin’s dance partner
in an undated black and white picture has long been identified
civil rights activist who worked for CORE (Vintage Black
of Black joy. I