Access All Areas May 2018 | Page 30

MAY | COVER FEATURE brewery last week, they wanted to make a sour beer so badly that they sat and peeled 281 grapefruits by hand themselves. That’s a story, that’s a beer with meaning. The band have literally had a hand in the beer you’re drinking. Isn’t that better than a generic can of lager that’s not had human interaction until you pick it up? We think so!“ A REVOLUTION IN YOUR KEG This revolution has had knock- on effects on the events industry. We’re all just consumers afterall. A new website, Feast-It, designed for event organisers to select food and drink suppliers by reputation, has been fuelled in part by the craft beer and bespoke beverage trend. Digby Vollrath, its co-founder, has a vast experience in festivals, both in the UK and the States, and has seen the UK adopt the US’ 30 The amazing cover and inlay images are sourced from The World’s Greatest Music Festival Challenge: A Rocking Seek and Find by Matt Everitt (author), Jim Stoten (illustrator). Published by Laurence King, the book explores festivals past and present via intricate, lovingly illustrated landscapes. passion for craft. “We’re catching up with the craft beer revolution, which was an American trend ten years ago. We have 100 different drink suppliers at Feast It, but it’s often the case that organisers sell all their beverage rights to a festival or event. However, this is changing because of consumer demand. Those big companies that want to monopolise the market must now diversify their selection, and in an attempt to do this, a lot of craft companies are being acquired.” Ground Control Production’s managing director and Broadwick Live director Jon Drape has also noticed this trend, and stresses that it is no longer in the big brewing companies’ interests to monopolise a festival. “Festivals are evolving, and we’re getting away from homogenised brands. The one-size-fits-all beverage model is old fashioned now, and we’re very careful at Broadwick Live not to treat our festivals as a group. We are wary of group deals, and ensure we are very bespoke to the requirements and market demographics of each festival. We pay attention to the nuances of each to deliver what they want. This is a trend that people are also getting used to on the high street.“ The problem with homogenised beer choice is generally commercially driven, according to The Fair’s CEO Nick Morgan. “The bigger brewers have more money to present to promoters, hence the lack of choice. They have more money as they are mass-producing, and cost per product is far less. However, some bigger brewers are in a huge acquisition drive of some of the smaller craft brewers. For example, Heineken have just purchased Brixton Brewery. “Some of the smaller shows