Access All Areas April 2020 | Page 20

APRIL | TRENDING Sexual harassment at festivals Sexual harassment and assault has long been a shadow looming over festivals. A YouGov survey in 2018 revealed that one in five festivalgoers had been sexually harassed or assaulted at a festival, with this figure jumping to 43 per cent for those who were female and under 40 Words: Olivia Powell T he most common unwanted sexual behaviour faced by the festivalgoers was reportedly ‘unwelcome and forceful dancing’. The survey of 1,188 people also revealed that just 2% of those who had been assaulted or harassed had reported it to police. It was also at a festival that Gina Martin faced sexual harassment in the form of ‘upskirting’ – where a picture is taken of the victim’s underwear or genitals via the perpetrator pointing their phone/camera up the skirt of the victim. Upskirting was made a crime in 2019. The epidemic is not just contained to the UK, with examples including the cancellation of Bravalla, Sweden’s biggest music festival, in 2018 following a number of sexual assaults including a rape reported at the festival in 2016 and 2017, and widespread sexual harassment and assaults in Cochella in 2018. However, the live events industry is working hard in order to prevent sexual harassment and assault. One such measure is the Respect campaign launched by the National Outdoor Events Association (NOEA) 20 with the Equalities and Human Rights Commission (EQHRC), which aims to prevent sexual harassment and assault at events. The campaign has developed a tool similar to a risk assessment, which organisers or contractors/suppliers can use to plan how they would reduce and address sexual harassment at their event. Whilst it is a work in progress, NOEA is engaging with venues and other event organisations to test it, improve it and make it work for everyone across the industry. Another excellent initiative is Safe Gigs for Women (SGFW), which was established by those who regularly attended live music events, with the aim of creating a safer environment for women. SGFW works with attendees to live music events to inform them about what sexual assault/harassment is, why it is not okay, and encouraging others to advocate on the behalf of victims to encourage them to speak out and show that sexual harassment/assault should not be tolerated. It also works with venues, to ensure they have the proper measures in place to prevent and stop sexual harassment, to make sure the issue is taken seriously, and to create an industry standard nationwide for venues against sexual assault/harassment. SGFW then plan to campaign to get the industry standard adopted across the UK. The initiative also works with bands to encourage them to get their audiences on board and encourage them to speak out against sexual harassment/assault. With initiatives like these, there is hope that sexual harassment and assault can be eradicated at live events and festivals. If you have been affected by the issues in this article, visit https://rapecrisis.org. uk for information and support.