Academy Journal Volume 54 | Page 89

                        Glencairn Museum Stephen Morley, Director T his year, 2012-2013, marked the 135th anniversary of the Academy of the New Church’s Museum and the 31st anniversary of Glencairn Museum. The Museum continued to enthusiastically embrace the challenge to extend the reach of its mission. Last year 15,000 people visited the Museum for a school program, public tour, or special event, an increase of more than 1,000 over the previous year. Hundreds of visitors explored the rooms where hand-made representations of the Christmas story were shown, the majority new to Glencairn’s collection. They found the infant Lord created in wood, burlap, wool, clay, metal, glass and stone. There were delightful variations in facial expression, scale and cultural detail. Perhaps the magic of the familiar story, a spiritual kind of magic, lifted their minds and hearts above these materials and forms and transported them to far flung countries, villages and homes and into the minds and hearts and lives of the people who created each of these scenes with their own hands. Carefully researched labels identified the names of these women and men when known, their faith traditions and cultural practices. The success of this exhibition was expressed in this way by one of our visitors: “I believe it is important to share the joy of Christmas with all denominations and Glencairn Museum is the perfect place to do so.” A favorite nativity was the santons, or little saints, from the Charlevoix region of Quebec, acquired from the craftsman, Bernard Boivin. Following a tradition that dates back to 13th century France, Boivin created his charming figures in clay, molded, fired and then painted. Many of the characters are dressed as Charlevoix villagers including Joseph who wears high boots, a fur hat and a heavy coat tied at the waist. The 18th century mill and steepled church are modeled after nearby buildings. Also of note were a unique pair of representations, one by a mother and the other by her daughter. In the 1936, Bernice Stroh Sandstrom made a fabric nativity scene while she was expecting her first child, Mary. Many years later she made Fourth Annual Nativity Festival An important part of the Museum’s mission is to build understanding among people of all beliefs through an appreciation of our common spiritual history and values. The story of the birth of Christ and His message of peace on earth, good will to all, is one we share with hundreds of millions of people world-wide. This message was communicated in many ways during the seven weeks of the 2012 Christmas season at Glencairn, which included an exhibition of nativities, a preview party for the exhibition, our first Christmas tours, the