AAA White Paper The political economy of informal events, 2030 | Page 20

1. CONSUMER EXPENDITURE ON CULTURE AND SPORT One of the striking things about events is how hard it is to get good data about them. That applies especially to informal events. The government’s Office for National Statistics (ONS), its Department for Digital, Culture, Media & Sport (DCMS) and VisitBritain/ VisitEngland, the tourism authority funded by the DCMS, would all benefit by investing in better coverage of events as an economic category – and well before 2030, too. Nevertheless, the broad evidence is clear: events already help create a great deal of wealth, jobs and social dynamism. There’s no need to continue with hype about the experience economy, which in fact dates back to 1997. The story with events is more interesting than that. It begins, as Chart 2 shows, overleaf, with the fact that UK consumer spending on cultural, recreational and sporting services has grown – not least, in the years since the Crash of 2008. 2. THE NUMBER OF ENTERPRISES IN AND AROUND THE EVENTS SECTOR Nowadays, a portion of the cultural, recreational and sporting services that UK consumers spend money on is of course provided by Big Tech firms headquartered in the US: by Netflix, for example. Still, a surprisingly large number of UK enterprises directly provide cultural, recreational and sporting services. Not all the enterprises in Chart 3 (overleaf) were, in 2017, directly in events; but we can be sure that very many of them were. The chart shows that the UK has nearly 9,600 enterprises in performing arts, more than 21,500 in sport, and several thousand more in other events-based leisure. By contrast, the UK’s business events sector is relatively concentrated: it boasts just 3,885 enterprises. The 2017 total of about 31,000 enterprises strictly in performing arts and sport compares with a 2018 total of 171,000 VAT- and/or PAYE- based enterprises in what the ONS classifies as ‘arts, entertainment, recreation and other services’. So: events enterprises in performing arts and sport make up a respectable 18 per cent of those in the wider field of culture and recreation, including enterprises that offer museums, historical sites, gyms, betting shops and the like. 20