A Reflective Lens: Music Pedagogical Research to Transform Practice | Page 87

A Reflective Lens: Music Pedagogical Research to Transform Practice Reviewing my video-recorded lessons challenged my assumptions about the way I teach; allowing me to critically examine my beliefs and values about teaching and learning (Clarke, 1995; Bailey, 2000; Boling, 2007). This method was useful for me as it allowed me to recognise my blind spots in the classroom which I was not aware of while conducting my lessons, just as Larrivee (2000, p. 304) pointed out, “…reflection during, or simultaneously with, our actions is difficult because of the multiple demands we have to juggle in the classroom.” It was not always pleasant to look through my videos; cringing at my own pitching and inaccuracies in singing, which in turn led to my pupils’ inaccuracies in singing and pitching which I consequently had to spend more time to re-teach and correct. Through the video recordings, I observed that my lessons were very teacher-centred and the games played were highly structured, hampering pupil interaction. In their own weekly reflections and interviews, the pupils were able to verbalise the learning objective of my lessons and understand the musical concepts taught. However, in this approach of teaching where the musical concepts were taught at the conclusion of the lesson, the element of fun and high level of engagement of the pupils was no longer apparent, and they did not seem to enjoy the solfège and “theory part” of the lesson. In fact, they struggled through the solfège, hand signs and the pitching with the sight reading exercises. It dawned upon me that there was a need to change my approach. Reluctant to let go of the “foundation” block belief, I trialled different strategies to engage my pupils in solfège. I used more sight-singing activities where my pupils created their own melodies with the solfège that they had already learnt. Yet, after a period of experimenting and critically reflecting, I came to the realisation that solfège and hand signs might not be necessary for my pupils to show their creativity. 84