A Queen's Journey volume 1 April 2013 | Page 14

Art

Surrealism

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George Orwell author of Dicken’s Dali and others, didnt care for Dali’s apoltital stance either. He makes several comments about Dali’s departure from countries during War time. He explains his distane stating, “During the Spanish Civil War he astutely avoids taking sides and makes a trip to Italy…drawn to aristocracy frequents smart salons ,finds himself wealthy patrons and is photographed…”When the European War approaches he has one preoccupation only ;how to find a place which has good cookery and from which he can make a quick bolt if danger comes too near. He fixes on Bordeaux and duly flees to Spain during the battle of France…then makes for America. “ Orwell I guess was upset that Dali had not choosen a cause in the political arena as so many other artists had done.

The surrealists where upset that Salvador was so over the top with his antics that it was taking away from his artworks presence in society. Brenton started calling him “Avida Dollars “. The Surrealists were angered that Salvador did crazy things for shock value. He undoubtedly did this to increase his fame in order to achieve status and money. The Surrealists began to shun him. They were mean to him and often said he was dead to them. In his defense he remained popular and wealthy much of his life, because he gave the people what they wanted. He continued to be involved with surrealists for years after. Carlos Lozano writes in his autobiography, Sex Surrealism Dali and me, that Dali never stopped being a surrealist. Dali said “the only difference between me and them is that I am a surrealist.”

In 1934 Salvador and Gala attended an exhibition in New York where he arrived wearing a bra in a glass case on his chest. While there they attended a costume party as the Lindbergh baby and the kidnapper.at the opening of a surrealist exhibition he gave a speech entitled Authentic Paranoid Ghosts. He arrived pulled by Russian hounds, carrying a cue stick wearing a helmet and a wetsuit. He said it was because he was going deep in the subconscious mind. (Dali, Secret life 219-220) Ordinarily he wore his signature curled mustache, cape and walking stick. In Dali’s Dreams of Venus exhibition in the 1939 world fair in New York, he had live models on pedasetls.Some were painted ,some wore robes while others were naked or decorated in an “under the sea” theme with seafood.it included sculptures of his as well.(Schaal) Dali’s main supporter at this time was Edward James. In 1936 Dali made 4 lobster telephones for his home.in 1937 they teamed up again to make a sofa replicating Mae West’s lips .He also painted a portrait of Mae West (Dali, The secret life 219-220). in 1938 he did a 3 dimensional piece called Rainy Taxi. It was a real front part of a car with 2 mannequins inside. He later improved upon this idea calling it Mannequin rotting in a taxicab.

Dali and Gala lived in America during World War II. In 1941 he wrote his autobiography The Secret Life of Salvador Dali. George Orwell discusses Dali’s book in his publication as well. he felt that Dali seemed to “be excempt from moral laws that are binding to other people.” (177) He also claims that a society in which a person like this flourishes is undoubtly flawed. He notes that Dali is gifted and has great imagination but that his “art” allows no middle position of thought about it. “If you say you don’t like rotting corpses and that people who do like rotting corpses are mentally diseased it is assumed that you lack the aesthetic sense.” (Orwell176-177).In 1944 Salvador wrote a second novel called Hidden faces, a tragic love story.

He painted Galarina(1944) and Dream caused by flight of the bumblebee around a Pomegranate a Second Before Awakening(1944) In 1945 Salvador’s paintings were used for the dream sequence in the Hitchcock film Spellbound(bio.com) this lead to an interest in photography and fashion. Dali seemed very narcissistic he spoke about himself in the third person and said “every morning …, I experience a supreme pleasure; that of being Salvador Dali “(Smithsonian 2005). He was interview on 60 minutes by Micheal Wallace and did the same thing the whole time. He displayed this in other ways too.Dali drew pictures on his checks . His ego led him to believe that they were valuable and that people wouldn’t cash them. So he usually got away with it ,getting dinners for free (artexperts.com).

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