a Ballet Education Issue 17 | Page 9

Editor’s Note: I am sorry this issue is coming out a month late. Unfortunately, the original cover story that we sunk thousands of dollars into didn’t pan out due to artistic differences. So, this issue was kind of a scramble as the original September was going to be a super stunning layout of fall looks provided by Forever 21. Because of this, the entire issue’s content had to be killed (editing terms for unusable). But, the show is back on! This issue is has been extremely important to me because I decided to refocus it on teachers, training and the journey it takes to run a school. As you might know, I recently opened up The Ballet Clinic in Scottsdale, Arizona. We are now full time under my direction with an amazing faculty, including A Ballet Education’s (and the former School of Ballet Arizona’s Manager) Ashley Baker, and former Pacific Northwest Ballet and Ballet Arizona dancer Eric Hipolito Jr. You can follow this journey via the school’s instagram: @TheBalletClinic or visit our website www.theballetclinic.com. This incredibly journey has taught me ups and downs, but most importantly I learned from my previous mistakes. If you have been following A Ballet Education you know that my personal ballet journey over the past few years has been quite intense. After Redlands Dance Theatre, I decided that I was done running a full-time ballet program, in fact, I had even turned down school director jobs so I could stay privately coaching and running A Ballet Education. The problem? People still wanted to train, and I found myself in the studio even more and more. Kids were flying in from all around the world to train, and I was having a hard time accommodating them all. This is what inspired me to open the Ballet Clinic. This led me to believe that the journey as going to be easy. But it wasn’t. Finding the right building, with the right codes, with the right height of ceilings and the right price wasn’t easy. Getting permits was painstakingly long. The build out, that was actually fast because of the contractor. He was great. I know, hearing of a good contractor is rare, but he did the entire buildout in 10 days. It was all super great, then the plumbing decided to go out causing things to flood, and the list goes on and on. Getting the right the kids was not an easy task either. Because I am looking for very specific things in young dancers, and I don’t just accept anyone, it was also a mission. Finding the right balance is never easy in life, but when the ballet community is watching you there is even a greater deal of stress luring over you. So, this issue brings out some great ideas, inspiring stories, and more information about the ballet community. -David King