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PRINTPACK INDIA 2019 SHOW DAILY 2 February 2019 | Supported by Indian Printer & Publisher and Packaging South Asia
Hunkeler Innovationdays – digital print plus inline finishing
One window to 25 years of digital printing
Naresh Khanna
T
he year 2018 is the 30th anniver-
sary of Xeikon, which started off
as an Agfa project in 1988. It’s
also the 25 year marker of the first two
digital color production presses that
were shown at Ipex in Birmingham in
September 1993. The Belgium-based
company led by Lucienne Descampil-
iere had earlier presented the Xeikon
DCP-1 engine in June of that year.
However, the Xeikon engine using Agfa
dry toners and an Agfa digital front-end
demonstrated at Ipex was called the
Agfa Chromapress.
While the Xeikon digital color press
was shown with relatively little hoop-
la at Birmingham, the unveiling of the
liquid toner based Indigo E-Print 1000
by its inventor Benny Landa took place
rather dramatically in the now familiar
theatre format where tickets for Lan-
da’s jam-packed performances had to
be booked in advance. Every attendee
was presented with a black Indigo bag,
which became a souvenir or badge for
those who had been there.
The Agfa Chromapress, as indeed
the Indigo E-Print, had many ups and
downs and it would be safe to say that
digital printing did not become main-
stream by 2003 – thereby leading some
industry experts to comment that it was
a disruptive technology that had failed.
(It did not meet their 10-year criteria for
a new print technology to succeed.)
Nevertheless, both technologies
gained some traction and were restruc-
tured by new owners. The Agfa Chro-
mapress came to be sold not only by
Xeikon but also by other vendors such
as AM Varytyper and IBM. The earliest
Indian adopters were G Kasturi and K
Balaji of The Hindu who set up an Agfa
Benny Landa, Landa Digital
Chromapress in Chennai, which they
directly imported and was in fact the
first digital press installed in the coun-
try. It was a duplex 52 cm (20-inch)
width web-fed digital drum and toner
color press that printed up to 5 colors
on both sides of the web and I believe
there was a sheeter option on the deliv-
ery as well.
Xeikon was acquired in November
2015 by Flint and subsequently devel-
oped a liquid toner press called the Tril-
lium (a project that it has abandoned)
and a UV inkjet press for label printing.
It is a regular at Hunkeler Innovation-
days in Lucerne. While it has presses for
commercial print, labels and packaging,
in Lucerne it generally shows a dry ton-
er press that can print both commercial
work and cartons with some interesting
security features. It also showed a label
press at the recent Labelexpo India in
Greater Noida.
Benny Landa’s Isreal-based Indigo
E-Print 100 was always presented as a
revolutionary invention – part science
and part revelation. He dramatically
talked about the new paradigms – vari-
able printing, the run of one; and short
run digital printing. New paradigms
such as direct mail and transactional
printing came and went. Nevertheless,
the E-Print was promoted as a replace-
ment for offset printing right from the
start. And since it used very light weight
toner particles delivered in an oil solu-
tion to an electrically charged imaging
cylinder that transferred the image to
a rubber blanket, it was described as
a liquid toner offset press. Indigo was
sold to HP for US$ 880 million in 2002,
which has gone on to make a success
of the technology for commercial and
packaging print and has also developed
a range of web-fed high speed inkjet
presses that are generally shown at the
Hunkeler Innovationdays in Lucerne.
In the early 1990s, the Indigo
E-Print was championed in India by
Pranav Parikh and TechNova. Parikh
himself presented the visionary possi-
bilities of the new technology but the
Indigo digital presses did not really gain
any traction till long afterward when HP
had acquired the company and took its
own time to enter this market well into
this century. Of course HP Indigo has
since become a success story in India,
particularly in its booming photo book
industry and has gained traction in label
and packaging printing as well.
Benny Landa, who still sees himself
as a reincarnation of Gutenberg, has of
course has gone on to re-invent himself
by using even finer ink particles called
Landa Nanoink and a process described
as Nanography. His new company
Landa Digital uses water-based Landa
Nanoink colorants and is part of a na-
no-technology group working in sev-
eral areas such as health, environment
and print. The Landa Nanographic dig-
ital presses, running B1-sized sheets
at 6,500 sheets an hour, are aimed at
overcoming the size, speed, quality and
production cost per sheet limitations of
earlier toner- and inkjet-based technol-
ogies. Although much delayed, a few of
these presses have been installed at beta
customers in the past year.
Innovationdays 2019
While the Landa Digital presses will
not be at the Hunkeler Innovationdays
in February 2019, the event is an op-
portunity to catch up with what is hap-
pening in mainly web-fed high volume
digital printing with in-line paper pro-
cessing, finishing and binding. The ap-
plications that are shown are mainly for
commercial and book printing, direct
mail, transactional printing and a bit of
newspaper and carton printing as well.
All the major digital press manufac-
turers are generally present with their
inkjet presses and in some cases with
their drum and toner presses together
with a great number of suppliers for
personalization and automation. Since
numerous print and finishing applica-
tions are demonstrated at the show in-
line, the show becomes a concentrated
and specialized insight to both the fu-
ture of data-driven print and its pro-
duction automation into personalized,
secure and finished products.
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14 | 2 FEBRUARY 2019 | Please visit our websites www.packagingsouthasia.com & www.indianprinterpublisher.com for Live updates during Printpack 2019