latter part of the album that is musically diverse and
dynamic, effectively portraying Kimbra’s eclectic,
soulful style.
“Madhouse,” with Thundercat’s fluttering bass line,
is a musical ode to Prince and a lyrical look into the
madness of human nature and existence. “Everlovin’
Ya” is perhaps the most musically dense and otherworldly track on the album. The pulsing produc-
tion and Bilal’s raw vocals and overdubbing create
a hauntingly beautiful song that concludes with 30
seconds of Atwood-Ferguson’s string tremolos that
drive home the poignant mood and complex harmony. “As You Are” is a heartfelt ballad that showcases Kimbra’s elastic vocal skills and harmonizing
prowess. The occasional vocal effects here almost
go unnoticed but probably should have been left out
of this intimate concoction of piano and strings. In a
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