In perhaps the most self-conscious track on M.U.S.I.C., “Question”
on the EP and create a sense of momentum to close it out. The
reveals Young Krow at his most vulnerable. Seemingly contradict-
lyrics mark a return of Young Krow’s suave swagger as he remarks
ing the self-assured bravado of “Comprehend,” “Question” finds
on his power that knows no boundaries. The track, which was pro-
him asking about relationships and life in a surprising change
duced by Young Krow himself, has a slowed down beatbox inter-
from the aforementioned track. After the mostly underwhelm-
lude that highlights his inventive use of layering and interspersing
ing sample at the beginning of the track describing what friend-
of various samples that can be found throughout M.U.S.I.C.
ship means, Young Krow goes on to ask questions like, “How many
dreams you won’t tell / how many friends you know well / how
Young Krow is an artist on the rise and M.U.S.I.C. serves as an apt
many devils in heaven / how many angels in hell.” These lines
presentation of his imaginative delivery and wide ranging lyri-
suggest that he has perhaps been burned in the past by disingen-
cal content. Given that each track has a different producer, the
uous relations. The DopeBoi-produced track, with its slow, dreamy
EP lacks a cohesive sonic palette and there are some portions of
feel and low synth bass, creates an ominous mood that compli-
songs that get repetitive, perhaps hinting at points where Young
ments the introspectively inquisitive lyrical content.
Krow’s freshness may have ran dry. That being said, M.U.S