247 Ink Magazine (Februaryr/March) 2019 Issue #25 | Page 32

finesse whilst slowly melting my face off. This isn’t the noxious possession of an infant child it’s just me, a weirdo, colouring in my skin cos I fancied a change. So less of your tutting admonishment! I’m not sitting at the back of the cinema crin- kling the sweet wrappers and having a massive head that blocks the view, I’m just living my life and having a bloody good time, bug- ger off. I understand that the blackwork I have is extensive and might seem threatening or strange to some people which could be why it’s been questioned and misunderstood, rest assured it is a wondrous way for me to exist and has instilled so much empowerment and self confidence. I do this for myself, to reclaim my body. I accept it as an essential part of my core identity. I’m just doing what helps to heal and following my own way. I’ve mentioned this before and yet it’s definitely worth reiterating to those that aren’t familiar with the origins of tattooing to avoid con- fusion amongst all the wide eyed hype. Blackwork stems from the tribal hand tapping process of tattooing where the tattoos them- 28