247 Ink Magazine (December/January) 2016 Issue#12 | Page 204

makes your more engaged in the whole process. It’s just way more energy to it than when you’re sitting there making a tattoo and going “Well it’ll be a cool tattoo but there’s no feedback on it. I feel like you grow when there’s feedback. It’s like you have your friends and peers there to guide you along. It’s like conventions are kind of safe even though they’re intimidating. I know some people get pretty intimidated at them. It’s like everybody’s there for the same thing. They’re all just trying to make cool tattoos and show their best work in the most uncomfortable situation possible. You’re sitting there in these fold-up chairs but you’re like whatever I do today I hope it’s awesome. It’s kind of neat because you know there’s going to be some neat stuff walking around. I just like conventions; I like the energy of them I do too. You see a lot of good friends there all the time. They’re like family reunions almost. Do you have any future projects you’re working on any big that you’re planning? Right now I’m in kind of a strange place. I moved out to the middle of nowhere. I was in a really weird place artistically. After moving back to Ohio from California I got myself into a weird artistic place where I didn’t know what I was creating anymore. I kind of got a little sidetracked. I was making art but there was no direction to it. So I took a year when I opened up the shop where I’m at when I kind of disappeared from what was happening in the world and tried to not get sucked into what was cool and what was hip and whatever. I more so focused on what I wanted to create. So I’ve spent 202