247 Ink Magazine (December/January) 2016 Issue#12 | Page 195

How did you get into tattooing? I was actually going to college at the time and I had drawn some tattoos for some friends. This had to be back in the early 90’s. I was getting tattooed at the time and this kid Jerry Issel, who actually works at Stink Monkey with Tony Ciavarro, asked me if I’d be interested in apprenticing because he had seen some of my art and stuff. So he helped me get my foot in the door. So I did the apprenticeship out there in New Haven in Studio Z. That’s where I got my start. What got you into your current style? Having kids. It evolved a lot. When I first got started I was really into traditional tattoos then I got influenced by stuff that Joe Capobianco and Deano Cook were doing. I started doing color portraits of girls and stuff. Then I started messing around with cartoons. When my daughters were born we were watching a lot of cartoons at the time so then my work started to become more cartoonish. That’s what started getting me known; doing these really creepy cartoon kids. You also do realism as well? I dabble in it but my heart was never in realism. I do it because that’s what people ask me to do. But it was never my strength. So I can do it but it’s not what I put my heart into. 193