247 Ink Magazine (December/January) 2016 Issue#12 | Page 239

was. I’m like, man I didn’t come for this. I came to tattoo with other tattooers to do what we do. Show casing or competing or whatever. That’s why I stopped. I got invited out here from Yosh from Ink Gallery to do a show. That’s where I met Fame and Millz. And I’m like, I was missing stuff. The first time my wife ever came with me on a trip to a convention, she was carrying my bags, and I was like, this is freakin cool. You are carrying everything for me and she was like I got you and I was like, I don’t have this and I don’t have that, Fame and Millz were like, we got you. We are sharing the table. So they were like whatever you need I got you. So that’s outside of the industry now because, you know how they are, and by me becoming friends with them, now it’s like family. They’ve been to California like 3 times, I’ve been here 2 times. I won’t send my guys places where they are going to get infected by the standard. You have to do this and that and then you pay your guest spot . When people guest spot with me, it’s like me inviting you to my house. Do I charge you for food? Do I charge you to stay? NO. If you’re coming to guest spot and your coming out because it’s slow in your area, I want you to take home what you make. The thing about Polynesian tattooing is there’s an Ohana feeling. A family feeling. You start creating your family. You know how they say family is not just blood? It’s those that you choose. So I choose certain people and they choose me and so now we are like “What’s up, when are you coming” and they are like “I’m on a flight already” They flew into Vegas and said, yo Julio, I’m on the way. And I’m like 237