247 Ink Magazine (December/January) 2015-2016 Issue #6 | Page 98

Working with blood can be more complicated in certain ways than working in other medium. For instance having to work gloved up, having to have a barrier on every surface, treating everything, even though I’m working with my own blood, and I don’t have any communicable diseases, but the point I’m making is that it’s biological matter and I keep everything entirely sanitary. There’s that, the need to work through barriers, and having to refrigerate it, sanitation afterward in terms of having to to wipe everything down , but on the flip side, you would be doing other things if it came down to it, like with oils, you would have to Gesso surfaces, and really get the oil out of the brushes, the nuisance of all that stuff, and mixing colors, so I find it’s the absolute perfect medium for me. I see things mono-chromatically, I’m not color blind but I don’t identify with color, I’m not intuitive when it comes to complimentary colors, and color theory, the fact of the matter is that I just don’t identify with bright colors. I think that’s great for whoever is inspired to paint that way, or tattoo that way, but I just see more mono-chromatically, and I’m more comfortable working that way, so that’s also another aspect to it. But I don’t think that blood is more difficult to work with than any other medium in general. It’s like uniform, there’s a uniformity to it that you don’t get with color. As soon as you throw a color in the mix, it’s like, does that work? Saint: I paint too, and I remember someone told me, if it doesn’t work in black and white, it won’t work in color. A lot of artists sometimes turn stuff monochromatic to see where certain key points of lighting are. Right, and that’s an interesting point because color has value too, value in terms of how dark something is, the artistic application of the word value, so working with colors that maybe look different but have similar value, it’s weird, it boggles my mind, kind of like math and directions, so I just stick to what I do best. 96 I have to shoot a lot in color and at some point my brain starts to tell me “this