247 Ink Magazine (December/January) 2015-2016 Issue #6 | Page 97

very manufactured and based on projections and really lacks a soul and a heartbeat. That’s what that particular piece is illustration is these core elements to what make life alive and valuable are maybe lacking in a lot of areas that we should focus more on them. There will be a 23 minute time-lapse video of the whole painting, and that’s like an incredible amount of time condensed into the 23 minutes, so it should be cool, I’m looking forward to it. Do you ever tattoo at conventions? Yes, I do tattoo at conventions that I am invited to, I’m not one to do the convention circuit, I have my own clientele base that I stay consistent with, I’m not much of a showman, I prefer to work and be able to focus and not be totally distracted. Although I like doing conventions, it’s good and it’s fun sometimes, but I’m more of a hermit, more of an an introvert. I like being private and working one on one with my clients, that’s why I have a kind of private studio set up. You kind of remind me of Paul Booth, he said pretty much the same thing. Conventions get him out to meet his fans, but he kind of likes bringing everyone to him. I’m the same way too, everybody comes to me. I used to go here and there but I like my shoots more intimate so I want to have my own space so I’ve combined the two now. Sometimes its hard to tell where one ends and the other begins so i’m either asked if I work here too or do I live here too and one is an extension of the other so it just makes sense that they’re combined and one in the same. Except sometimes with artists. Artists like you and Paul are more comfortable in their own surroundings and I’ll get better images there.As far as working with blood, are there particular things that you find a little more difficult than painting in any other medium? 95