247 Ink Magazine (December/January) 2015-2016 Issue #6 | Page 151

Yeah, yeah, yeah… What I do when I wake up is try to read all my fan mail before I come to work. I do about two to three hours of reading and replying back to emails. They tell me this stuff. I’m always working so I don’t get to see what everyone else is doing. So if they don’t tell me then I won’t really know. So people tell me that we influenced them to bring more artistry into it and stop with the stereotypes of tattooing, especially the urban side of tattooing. We’re painters so you get bored with the tattoo stuff. So we try to incorporate our style into more of a fine art style. So it also introduces people who are not into tattooing; they’ll look at the pieces not as tattoos but as fine art. When they do that they pay accordingly because it looks opposite of what everyone else is doing. I think other people are catching onto it. The only people who are making money in tattooing are some of the people you can recognize when you see their style. If a tattooer doesn’t have their own style they won’t be broke, they’ll just be competing with other artists who use that same style. So I see the influence in that. I see more black artists trying to do freehand stuff, incorporating colors that we would use in their work. So you see the influence 149