2017 House Programs The Magnetic Fields // 50 Songs | Page 7
PINKY WEITZMAN
Musician ARNULFO MALDONADO
Scenic Designer MARK O’MALEY
Lighting designer
One of New York City’s few
but proud rock violists, Pinky
Weitzman has performed with
Belle & Sebastian, Moby, Crash
Test Dummies and The Hold
Steady. Pinky toured with Tony
Award-winning rock musical
Spring Awakening and has played
theatre runs including Natasha,
Pierre, and the Great Comet of
1812 and Araby. Pinky sings and
plays viola, Stroh violin, musical
saw, and bass in various bands,
and gleefully fronts the junkyard
quartet Not Waving But Drowning. Arnulfo Maldonado is a New
York City-based set and costume
designer. Recent credits include
Kingdom Come (Roundabout),
Caught (Play Co), Men On Boats
(Playwrights Horizons), Hillary
and Clinton (Philadelphia Theatre
Company), Macbeth (Old Globe),
As You Like It (Center Stage),
Iphigenia In Aulis (CSC) and Iowa
(Playwrights Horizons). Arnulfo
is a Clubbed Thumb Affiliated
Artist, a recipient of a Princess
Grace Fabergé Theater Award, the
resident scenic designer at the
National Playwrights Conference,
and holds an MFA from NYU Tisch
School of the Arts.
www.arnulfomaldonado.com Mark O’Maley is an instigator
of space, bodies, and ideas, and
works predominantly in lighting
design for dance. Mark’s work has
been produced throughout the
United States, Europe and South
America—including off-Broadway
and London’s West End for such
folks as Yvonne Rainer, Jessica
Lang, New Paradise Laboratories,
Ishmael Houston-Jones, Michelle
Ellsworth and Rennie Harris. Mark
received an MFA-IA from Goddard
College. www.markomaley.com
JOSÉ ZAYAS
Director
José Zayas has directed over
90 productions in New York,
regionally and internationally.
Credits include Aunt Julia and
the Scriptwriter, Burundanga, The
House of the Spirits, Your Name
Will Follow You Home, Barcelo con
Hielo, La Nena Se Casa, Love in
the Time of Cholera, In the Time of
the Butterflies, Madre (el drama
padre), Besame Mucho, Nowhere
on the Border, Letters to a Mother
(Repertorio Español), Cancun,
Chronicle of a Death Foretold (Gala
Theatre), Pinkolandia (INTAR and
Two River Theatre), Father of Lies
and Vengeance Can Wait (PS122),
P.S. Jones and the Frozen City,
Feeder: A Love Story (TerraNOVA
Collective), Okay and Mrs. Jones
and the Man From Dixieland (EST),
The Idea of Me (Cherry Lane
Mentor Project), La Isla de Los
Hombres Solos (Teatro Espressivo,
Costa Rica) and Corazon Eterno
(Mixed Blood).
ALEX BASCO KOCH
Projections Designer
Alex Basco Koch designs
projections for theatre, live events
and film. Notable designs include
Irena’s Vow on Broadway, Marley, a
world-premiere musical directed
by Kwame Kwei-Armah, Goodbar
at The Public Theater’s Under
the Radar Festival and the world
premiere stage adaptation of
Ralph Ellison’s Invisible Man with
openings in Chicago, Washington
DC, and Boston. Alex’s work as
a film producer and editor have
been seen at the Tribeca Film
Festival among others.
www.alexbascokoch.com
DAN BORA
Sound Designer
As producer, engineer, and sound
designer of albums, film scores,
and live sound, Dan Bora has
worked with Marina Abramovic,
Antony, Philip Glass, Howard
Shore, Nico Mühly and many
others. Dan’s credits include
Academy Award winning Fog
of War, the Academy Award
nominated The Illusionist as well
as the revival of Robert Wilson’s
Einstein on the Beach and the Life
and Death of Marina Abramovic.
Dan’s live work has been praised
as “deft”, “provocative and even
poignant” (The New York Times).
NICK SCHWARTZ-HALL
Associate Producer
Music projects produced for
BAM: Nonesuch Records 50th
Anniversary Celebration, Paul
Simon residency, Dr. John
residency, Questlove’s Shuffle
Culture and Electronium, Red Hot
+ Rio, Red Hot + New Orleans, Red
Hot + Cuba and Red Hot + Arthur
Russell concerts, Marisa Monte’s
Samba Noise with Seu Jorge,
Ryuichi Sakamoto, Arto Lindsay,
Si Cuba! Festival, Muslim Voices:
Arts and Ideas festival, Crossing
Brooklyn Ferry (year 2), Shelter
and Lost Objects with BANG ON
A CAN.