2017 House Programs Please Continue, Hamlet | Page 2

SOMETHING IS ROTTEN IN
THE STATE OF VICTORIA.
Creators
YAN DUYVENDAK
& ROGER BERNAT
Scenography in
collaboration with
SYLVIE KLEIBER Production
DREAMS COME TRUE,
GENÈVE
Management
MARINE MAGNIN
Tour Management
LIGNE DIRECTE
JUDITH MARTIN
Communication and
Production
RAPHAËL RODRIGUEZ
Technical Administrator
LEO GARCIA
Producer
JULIA VALENTINI
Hamlet
CHRIS RYAN
Gertrude
GENEVIEVE PICOT
Ophelia
JESSICA CLARKE
JUDGES LEGAL TEAMS FORENSIC PATHOLOGISTS
The Hon Ray Finkelstein
AO QC, The Hon David
Habersberger QC, The
Hon Professor George
Hampel AM QC, The
Hon Betty King QC and
The Hon Frank Vincent
AO QC Julian Burnside AO QC, John Champion SC,
Dr Matt Collins QC, Philip Dunn QC, Fiona McLeod
SC, Robert Richter QC, Lesley Taylor QC, Daniel
Aghion, Matthew Albert, Katherine Brazenor,
Karina Chow, Tom Danos, Rachel Ellyard, Sally
Flynn, Ashley Halphen, Anne Hassan, Daniel
Kinsey, Lucy Kirwan, Grant Lubofsky, Rachel
Matson, Hadi Mazloum, Jeremy McWilliams,
Elizabeth Ruddle, Evelyn Tadros and Andrew Yuile Dr Yeliena Barber,
Dr Byron Collins,
Dr Joanna Glengarry,
Dr Linda Iles and
Dr David Ranson
Melbourne Festival wishes to thank the following people for lending their time, expertise and enthusiasm to this project:
Dr Michael FitzGerald of Dr Martine Marich & Associates for the incredible work preparing the Brief of Evidence, Tom Danos for being our
oracle of wisdom, Matt Collins QC and the Victorian Bar Association for assembling our stellar legal teams and Associate Professor David
Ranson and Deb Withers from the Victorian Institute of Forensic Medicine for recruiting our wonderful Forensic Pathologists.
With support from:
Co-production: le Phénix scène nationale Valenciennes; Huis a/d Werf, Utrecht; Théâtre du
GRÜ, Genève; Le Nouveau théâtre de Montreuil—centre dramatique national. • Residencies:
Montévidéo, Marseille; Le Carré/Les Colonnes, Scène conventionnée, Saint-Médard-en-
Jalles/Blanquefort. • With the financial support of: City of Geneva; République et canton de
Genève; Pro Helvetia Fondation suisse pour la culture; Migros pour-cent culturel; La Loterie
Romande; Ministerio de Cultura-INAEM, Mécènes du sud, Marseille; Le Nouveau théâtre de
Montreuil—centre dramatique national; CORODIS.
KEY CREDITS