2016 House Programs Our Ladies of Perpetual Succour | Page 9
MARTIN LOWE
Music Arranger & Supervisor
Martin’s work in theatre includes The Light
Princess, Nation, War Horse, Caroline or Change,
Once in a Lifetime, A Funny Thing Happened on the
Way to the Forum and Jerry Springer—The Opera
at the National of Great Britain; Harry Potter and
the Cursed Child, Mamma Mia! (also Shanghai,
Tokyo, Seoul, Stockholm and international
tour), The Full Monty, Les Misérables, Cats and
Once on this Island in the West End; The Twits
and Hope at the Royal Court; Once at New York
Theatre Workshop, on Broadway and in the
West End (Tony, Grammy, Olivier, Drama Desk,
Green Room and Obie Awards); The Wolves in the
Walls and Appointment with the Wicker Man for
National Theatre of Scotland; The Lily’s Revenge
at American Repertory Theater; Vintage Voices
at London International Festival of Theatre;
and The Threepenny Opera and Jedermann at
Salzburg Festival. Composition includes The
Misanthrope, The Secret Rapture, The Blue Room
and Hysteria at Chichester; and Into Exile and
Dear Exile on BBC Radio 4. Film includes Mamma
Mia! (Golden Reel Award) and Greetings from Tim
Buckley.
CHLOE LAMFORD
Designer
Chloe trained at Wimbledon School of Art. She
is currently Associate Designer at the Royal
Court. Her designs for theatre include Rules for
Living and The World of Extreme Happiness at the
National; 1984 at the Almeida and in the West
End; The Twits, Circle Mirror Transformation, Teh
Internet is Serious Business, 2071, God Bless the
Child, Open Court and How to Hold Your Breath
for the Royal Court; Atmen and Ophelias Zimmer
at Schaubühne am Lehniner Platz, Berlin; Het
Hamilton Complex at Hepaleis, Antwerp; Salt,
Root and Roe at the Donmar Warehouse; The
Events for ATC and the Young Vic; Disco Pigs, Sus
and costume design for Blackta at the Young
Vic; My Shrinking Life, Appointment with the
Wicker Man and Knives in Hens for the National
Theatre of Scotland; Praxis Makes Perfect
and The Radicalisation of Bradley Manning for
National Theatre of Wales; Boys for Headlong;
Cannibals and The Gatekeeper at Manchester
Royal Exchange; The History Boys and My
Romantic History (also at the Bush) at Sheffield
Crucible; Joseph K and The Kreutzer Sonata at
the Gate; This Wide Night and It Felt Empty… for
Clean Break; The Mother Ship and How to Tell the
Monsters from the Misfits at Birmingham Rep;
The Country at Salisbury Playhouse; and Small
Miracle at the Tricycle and Colchester Mercury
(winner of Best Design at TMA awards). Designs
for opera include Alcina at Aix en Provence
Festival; The Little Sweep and Let’s Make an
Opera at Malmö Opera House, Sweden; The
Magic Flute for ETO; War and Peace for Scottish
Opera/RCS; and The Cunning Little Vixen and
Orpheus in the Underworld at the Royal College
of Music.
IMOGEN KNIGHT
Choreographer
Imogen’s work in theatre includes The
Threepenny Opera, Les Blancs, I Want My Hat Back
and Edward II at the National of Great Britain;
Red Velvet at the Tricycle, at the Garrick in the
West End and St Ann’s Warehouse, NYC; Linda,
God Bless the Child, The Low Road and A Time to
Reap at the Royal Court; Five Finger Exercise at
The Print Room; Measure for Measure and Dirty
Butterfly at the Young Vic; Our Ladies of Perpetual
Succour, In Time O’Strife, Appointment with the
Wicker Man and The Missing for National Theatre
of Scotland; The Skriker for MIF and the Royal
Exchange; Carmen Disruption, Little Revolution,
The Turn of the Screw, King Lear, Filumena,
Measure for Measure and When the Rain Stops
Falling at the Almeida; The Broken Heart and
’Tis Pity She’s a Whore at Shakespeare’s Globe;
Hamlet, Blindsided and Cannibals at the Royal
Exchange; The Crucible at the Old Vic; Pests on
UK tour for Clean Break, the Royal Exchange and
the Royal Court; The History Boys at Sheffield
Crucible; OMG! for Sadler’s Wells, Company
of Angels and The Place (Choreography for
Children Award 2012); and Penelope for
Dramaturgs Network and Company of Angels.
Opera includes Powder Her Face at ENO; and
How to Make an Opera and The Little Sweep at
Malmö Opera. She acted as a mentor, on behalf
of Old Vic New Voices, for Snuff Box Theatre on
Bitch Boxer and as choreography consultant on
World Factory for METIS and the Young Vic. TV
includes Call the Midwife and The Hollow Crown.