2016 House Programs Our Ladies of Perpetual Succour - Page 9

MARTIN LOWE Music Arranger & Supervisor Martin’s work in theatre includes The Light Princess, Nation, War Horse, Caroline or Change, Once in a Lifetime, A Funny Thing Happened on the Way to the Forum and Jerry Springer—The Opera at the National of Great Britain; Harry Potter and the Cursed Child, Mamma Mia! (also Shanghai, Tokyo, Seoul, Stockholm and international tour), The Full Monty, Les Misérables, Cats and Once on this Island in the West End; The Twits and Hope at the Royal Court; Once at New York Theatre Workshop, on Broadway and in the West End (Tony, Grammy, Olivier, Drama Desk, Green Room and Obie Awards); The Wolves in the Walls and Appointment with the Wicker Man for National Theatre of Scotland; The Lily’s Revenge at American Repertory Theater; Vintage Voices at London International Festival of Theatre; and The Threepenny Opera and Jedermann at Salzburg Festival. Composition includes The Misanthrope, The Secret Rapture, The Blue Room and Hysteria at Chichester; and Into Exile and Dear Exile on BBC Radio 4. Film includes Mamma Mia! (Golden Reel Award) and Greetings from Tim Buckley. CHLOE LAMFORD Designer Chloe trained at Wimbledon School of Art. She is currently Associate Designer at the Royal Court. Her designs for theatre include Rules for Living and The World of Extreme Happiness at the National; 1984 at the Almeida and in the West End; The Twits, Circle Mirror Transformation, Teh Internet is Serious Business, 2071, God Bless the Child, Open Court and How to Hold Your Breath for the Royal Court; Atmen and Ophelias Zimmer at Schaubühne am Lehniner Platz, Berlin; Het Hamilton Complex at Hepaleis, Antwerp; Salt, Root and Roe at the Donmar Warehouse; The Events for ATC and the Young Vic; Disco Pigs, Sus and costume design for Blackta at the Young Vic; My Shrinking Life, Appointment with the Wicker Man and Knives in Hens for the National Theatre of Scotland; Praxis Makes Perfect and The Radicalisation of Bradley Manning for National Theatre of Wales; Boys for Headlong; Cannibals and The Gatekeeper at Manchester Royal Exchange; The History Boys and My Romantic History (also at the Bush) at Sheffield Crucible; Joseph K and The Kreutzer Sonata at the Gate; This Wide Night and It Felt Empty… for Clean Break; The Mother Ship and How to Tell the Monsters from the Misfits at Birmingham Rep; The Country at Salisbury Playhouse; and Small Miracle at the Tricycle and Colchester Mercury (winner of Best Design at TMA awards). Designs for opera include Alcina at Aix en Provence Festival; The Little Sweep and Let’s Make an Opera at Malmö Opera House, Sweden; The Magic Flute for ETO; War and Peace for Scottish Opera/RCS; and The Cunning Little Vixen and Orpheus in the Underworld at the Royal College of Music. IMOGEN KNIGHT Choreographer Imogen’s work in theatre includes The Threepenny Opera, Les Blancs, I Want My Hat Back and Edward II at the National of Great Britain; Red Velvet at the Tricycle, at the Garrick in the West End and St Ann’s Warehouse, NYC; Linda, God Bless the Child, The Low Road and A Time to Reap at the Royal Court; Five Finger Exercise at The Print Room; Measure for Measure and Dirty Butterfly at the Young Vic; Our Ladies of Perpetual Succour, In Time O’Strife, Appointment with the Wicker Man and The Missing for National Theatre of Scotland; The Skriker for MIF and the Royal Exchange; Carmen Disruption, Little Revolution, The Turn of the Screw, King Lear, Filumena, Measure for Measure and When the Rain Stops Falling at the Almeida; The Broken Heart and ’Tis Pity She’s a Whore at Shakespeare’s Globe; Hamlet, Blindsided and Cannibals at the Royal Exchange; The Crucible at the Old Vic; Pests on UK tour for Clean Break, the Royal Exchange and the Royal Court; The History Boys at Sheffield Crucible; OMG! for Sadler’s Wells, Company of Angels and The Place (Choreography for Children Award 2012); and Penelope for Dramaturgs Network and Company of Angels. Opera includes Powder Her Face at ENO; and How to Make an Opera and The Little Sweep at Malmö Opera. She acted as a mentor, on behalf of Old Vic New Voices, for Snuff Box Theatre on Bitch Boxer and as choreography consultant on World Factory for METIS and the Young Vic. TV includes Call the Midwife and The Hollow Crown.