2016 House Programs Our Ladies of Perpetual Succour - Page 10

LIZZIE POWELL Lighting Designer MIKE WALKER Sound Designer Lizzie’s designs for theatre include In Time o’Strife, Glasgow Girls, My Shrinking Life, Enquirer, Appointment with the Wicker Man, Knives in Hens, Girl X, Mary Queen of Scots Got her Head Chopped Off, Our Teacher’s a Troll, Venus as a Boy, Debuts, Cockroach, Nasty, Brutish and Short, The Dogstone and Nobody will Ever Forgive Us (also with the Traverse) for National Theatre of Scotland; Endgame, The Choir, Fever Dream: Southside, The Libertine, Far Away (and Seagulls), Krapp’s Last Tape and Footfalls for the Citizens, Glasgow; Violence and Son at the Royal Court; The Brink at the Orange Tree; Fruit Trilogy at West Yorkshire Playhouse; Romeo and Juliet at Sheffield Crucible; Anna Karenina at the Royal Exchange and West Yorkshire Playhouse; Secret Theatre at the Lyric Hammersmith and on tour; Rupture and White Gold for Iron-Oxide; Idomeneus at the Gate; Cinderella, Mother Goose and Jack and the Beanstalk at Perth; Caged, Poppu and Dingan and The Book of Beasts for Catherine Wheels; Spring Awakening, While You Lie, Any Given Day and The Dark Things at the Traverse; Pangaa for Ankur; and Huxley’s Lab for Grid Iron, Lung Ha and Edinburgh Festival Theatre. Mike trained at Guildhall School of Music and Drama, London. His sound designs for theatre include 3 Winters, Chewing Gum Dreams, Home, Hymn, St Matthew Passion, Major Barbara, Caroline or Change and Jerry Springer —The Opera (for which he won the