2016 House Programs Our Ladies of Perpetual Succour | Page 10

LIZZIE POWELL
Lighting Designer

MIKE WALKER
Sound Designer

Lizzie’s designs for theatre include In Time
o’Strife, Glasgow Girls, My Shrinking Life, Enquirer,
Appointment with the Wicker Man, Knives in Hens,
Girl X, Mary Queen of Scots Got her Head Chopped
Off, Our Teacher’s a Troll, Venus as a Boy, Debuts,
Cockroach, Nasty, Brutish and Short, The Dogstone
and Nobody will Ever Forgive Us (also with the
Traverse) for National Theatre of Scotland;
Endgame, The Choir, Fever Dream: Southside, The
Libertine, Far Away (and Seagulls), Krapp’s Last
Tape and Footfalls for the Citizens, Glasgow;
Violence and Son at the Royal Court; The Brink at
the Orange Tree; Fruit Trilogy at West Yorkshire
Playhouse; Romeo and Juliet at Sheffield
Crucible; Anna Karenina at the Royal Exchange
and West Yorkshire Playhouse; Secret Theatre
at the Lyric Hammersmith and on tour; Rupture
and White Gold for Iron-Oxide; Idomeneus at the
Gate; Cinderella, Mother Goose and Jack and the
Beanstalk at Perth; Caged, Poppu and Dingan and
The Book of Beasts for Catherine Wheels; Spring
Awakening, While You Lie, Any Given Day and The
Dark Things at the Traverse; Pangaa for Ankur;
and Huxley’s Lab for Grid Iron, Lung Ha and
Edinburgh Festival Theatre.

Mike trained at Guildhall School of Music and
Drama, London. His sound designs for theatre
include 3 Winters, Chewing Gum Dreams, Home,
Hymn, St Matthew Passion, Major Barbara,
Caroline or Change and Jerry Springer —The
Opera (for which he won the