JEANNE LAPIERRE
Associate Costumes Designer
Since graduating from
the Conservatoire d’art
dramatique de Québec in
2004, Jeanne has worked
as costume and property
designer on many shows in
Montreal and Quebec. She has collaborated on
several productions of Ex Machina, including
serving as property designer for The Blue
Dragon. She has also toured with this show as
the costume and property manager.
LAURENT ROUTHIER
Lighting Designer
Laurent studied film
and photography before
specializing in lighting
design for the stage. Over
the years, he has designed
the lighting for shows by
artists such as Robert Lepage, Franco Dragone,
Michel Lemieux and Victor Pilon. He also was
involved in the creation and tour of Délirium,
Cirque du Soleil’s first arena show, which gave
him the opportunity to travel across the United
States and demonstrate his ability to work on
large-scale productions.
In recent years, he has been focused on
exploring different applications of video and
lighting for creating scenic environments.
This creative research is the reason he has
been hired for lighting, video and set design
for numerous shows for Quebec City’s New
Year’s celebrations and Saint-Jean-Baptiste Day
events. His academic training and experience
with major shows have enabled him to design
lighting and video for more than 20 shows
broadcast on television. Over the last several
years, he has also worked as director of
photography for these television productions.
More recently, he has been busy working
in theatre on the lighting design of three
productions of Quebec City’s Trident Theatre:
The Odyssey, The Laramie Project and Les
Enrobantes.
ADÈLE SAINT-AMAND
Assistant Director
After finishing her training
at the National Theatre
School, Adèle joined the
team of Théâtre Péril, where
she worked with Christian
Lapointe on numerous
productions from 2005 to 2012. In 2008, she
met Frédéric Dubois and worked with Théâtre
des Fonds de tiroirs on all of their productions
until 2014. She also has worked with other
companies, including Théâtre Blanc, Nouveau
Théâtre Expérimental, Théâtre L’Escaouette,
Théâtre de la Vieille 17, and Théâtre du Trident.
Adèle has had the opportunity to work with
the Nous sommes ici collective and Alexandre
Fecteau, Steve Gagnon and Théâtre Jésus,
Shakespeare et Caroline. She has travelled
across Canada with Les trois exils de Christian E
(Théâtre Sortie de secours). Since 2012, she has
worked with Ex Machina on several occasions.
ARIANE SAUVÉ
Associate Property Designer
Since graduating from
the Conservatoire d’art
dramatique de Québec in
2010, Ariane has worked
as a set and property
designer for theatre
and television. Over the last few seasons at
Théâtre de la Bordée, she designed the sets for
Félicité and The Impostures of Scapin and was
property designer for Endgame and Servant
of Two Masters. In 2013, she designed the set
and properties for Anne-Marie Olivier’s Mourir
tous les jours, presented during the Carrefour
international de théâtre. She also designed
the sets for L’Emmerdeur and Les Visiteurs at
Théâtre Petit Champlain, for L’Gros Show at
Théâtre Périscope, and for Charme at Théâtre
Premier Acte. For television, she is known for
her work as property designer for the television
series Complexe G on TVA. During the 2015-2016
season, she will design the set and properties
for Les Écornifleuses’ theatrical installation in
Où tu vas quand tu dors en marchant, as well as
for Feydeau at Théâtre de la Bordée.