2016-2017 LSCPA Catalog | Page 119

Lamar State College Port Arthur 2016-2017 Catalog Revised 9-13-16 Prerequisite(s): completion of or concurrent enrollment in MUSC 1213, 1211 and MUSP 2103. MUSC 1325 Acoustics .............................. 3:3:0 Principles of sound in air, sound in recording, and sound reinforcement. Topics include acoustical properties of studios, live performance facilities, resonance, and electronic and acoustic control. MUSC 1235 Commercial Music Software .................................................................... 2:2:1 Specialized training in commercial music software applications. MUSC 1331 MIDI ........................................ 3:3:1 Exploration of the history and evolution of Musical Instrument Digital Interface (MIDI) systems and applications. Includes the MIDI language and applications in the studio environment using software-based sequencing programs. Prerequisite(s): MUSI 1181; completion of or concurrent enrollment in MUSC 1213 and MUSC 1211 MUSC 1405 Live Sound I .......................... 4:3:3 An overview of the field of live sound. Includes principles of live sound and the theory and interconnection of the components of a sound reinforcement system . Prerequisite(s): MUSC 1427 MUSC 1423 Audio Electronics ................. 4:3:3 Basic concepts in electricity, Ohm’s Law, circuit analysis and troubleshooting. Includes soldering techniques and equipment maintenance. MUSC 1327 Audio Engineering I ............. 3:2:4 Overview of the recording studio. Includes basic studio electronics and acoustic principles, waveform properties, microphone concepts and placement techniques, studio set up and signal flow, console theory, signal processing concepts, multi-track principles and operation, and an overview of mixing and editing. MUSC 2211 Commercial Music Sight Singing/Ear Training II .............................. 2:2:1 Continuation of Commercial Music Sight Singing and Ear Training I with emphasis on chromatic tonalities and melodies. Learn to sight sing selected melodies in chromatic tonalities; and transcribe dictation of selected rhythmic patterns, chromatic melodies and intermediate chord progressions. Prerequisite(s): MUSC 1213 and MUSC 1211. Corequisite(s): MUSC 2213. MUSC 2213 Commercial Music Theory II .................................................................... 2:2:1 Continuation of Commercial Music Theory I. Emphasizes harmonic and melodic analysis, extended chord theory, and modal and altered scales. Learn to compose melodies using standard song forms; harmonize melodies using chords appropriate to assigned musical style; and analyze selected pieces from lead sheets and arranged concept key scores. Prerequisite(s): MUSC 1213 and MUSC 1211. Corequisite(s): MUSC 2211. MUSC 2330 Commercial Music Arranging & Composition ............................................... 3:3:1 Presentation of arranging and composition for projects in industry recognized genres including songwriting, show writing, video, and film. Students learn to compose and arrange for multiinstrumental ensembles; compose and arrange stylistically correct background figures and counter lines; and compose and arrange broadcast jingles, video/film scores and stage show formats. Corequisite(s): MUSC 1321. MUSC 2351 Audio for Video ..................... 3:3:1 Advanced audio techniques for video production. Includes synchronization, automated mix down, audio post production for video, and editing techniques. Prerequisite(s): RTVB 1347, RTVB 2330. MUSC 2403 Live Sound II .......................... 4:3:3 Overview of stage monitor systems. Includes monitor systems set-up and operation and stage management. Also covers interactivity between sound management, performance quality, and audience experience. Prerequisite(s): MUSC 1405. MUSC 2327 Audio Engineering II ............. 3:2:4 Implementation of the recording process, microphones, audio console, multi-track recorder, and signal processing devices. Prerequisite(s): MUSC 1327. MUSC 2347 Audio Engineering III ............ 3:2:4 Advanced practice of procedures and techniques in recording and manipulating audio. Includes digital audio editing, advanced recording techniques and advanced engineering projects. Prerequisite(s): MUSC 2327. MUSC 2448 Audio Engineering IV ............ 4:3:3 Advanced recording, mixing, arranging, and editing. Includes the role of the producer in session planning, communication, budgeting, business aspects, technical considerations and music markets. This is a capstone course for Commercial Music–Sound Engineering AAS degree. Prerequisite(s): MUSC 2347. Page 118 of 135