(201) Gold Coast March 2016 | Page 33

“Alice Guy Blaché not only paved the way for women filmmakers but for all filmmakers.” Diane Raver COURTESY OF ALISON MCMAHAN & FORT LEE FILM COMMISSION former executive director and founder, Garden State Film Festival honored by the Directors Guild of America. She received a posthumous special directorial award for lifetime achievement from Martin Scorsese, who directed the classic film Goodfellas, parts of which were filmed in Fort Lee, after years of lobbying by the Fort Lee Film Commission. “Her ideas about narrative filmmaking predated all the great American filmmakers and most filmmakers in the world,” Meyers says. “She built and operated her own studio here in New Jersey, then the motion picture capital of the world, and the films that survive are wonderful.” In 2013, Blaché was inducted posthumously into the New Jersey Hall of Fame, honoring individuals who have made invaluable contributions to society and the world beyond. “Her legacy was unprecedented,” Raver adds, “and she remains the unsung heroine of our industry.” Blaché returned to the U.S. in 1964 to live with daughter Simone, and died March 24, 1968, at the age of 95, at a nursing home in Mahwah. The Fort Lee Film Commission created a new headstone for her grave in Maryrest Cemetery in Mahwah. It includes the Fort Lee Film Commission logo and the words “First Woman of World Cinema and Owner of Solax Studio, Fort Lee, N.J.” ◆ THE HISTORY OF ALICE GUY BLACHÉ AND FORT LEE’S SOLAX STUDIO 1910 Alice Guy Blaché and her husband, Herbert, along with a third partner, create Solax Studios in New York. Her early films are melodramas and westerns. 1912 She builds a studio in Fort Lee, said to cost more than $100,000. Solax produces two one-reelers (10-15 minute films) a week. She writes and directs at least half the films and oversees all production. 1913 Dick Whittington and His Cat is released. At three reels in length (45 minutes), a $35,000 budget and elaborate costuming and staging (including burning a boat), it is her most ambitious Solax project. 1914-16 The Blachés join Metro-Popular Plays and Players, a production company that produces features for distributors. These films