100 BARS MAGAZINE 011 JUL/AUG 2014 | Page 25

After the tragic events that resulted in 18-year-old Michael Brown being gunned downed by the Ferguson County Police district, battle rapper Bruce “Oops” Franks has been at the forefront of the protesting to make sure that these types of injustices don’t happen again. We caught up with him on a Sunday afternoon to chop it up with him and to get his take on the events and the initial aftermath, and to ask him how he feels about the current state of battle rap as well as to discuss his own personal brand. Joe Agee: Why do you feel that Mike Brown’s murder received more media recognition than other young black males that have been murdered recently? Ooops: I believe that the location played a huge factor. This time, someone was murdered in the suburb of St. Louis city, but it’s a different atmosphere out there. Not a lot of murder happens in Ferguson; more like petty crimes, auto theft. So when a young black male was killed in this type of manner by the police, the nation caught notice. to throw on some sweatpants or basketball shorts and go jogging through the neighborhood where I pay taxes and not have people negatively judge me. But I am constantly being racially profiled for who I am. We as a people need to focus on making this wrong a right. There are many different types of ethnic groups that are out here protesting along with us, so we can’t be conditioned to think there’s a difference between black-on-black crime and whiteon-white crime. Joe: How do you feel about the message that’s being portrayed in music and do you feel that it brings negative influence into the media? Ooops: In the early ‘90s we had N.W.A who said, “f**k the police” and it didn’t seem like there was much of a problem, but with the heightened media presence in today’s age the things that we are rapping about seem to get much more negative press. Joe: Tell us about your picture that has caught the attention of major media outlets such as Twitter, Facebook and Vibe? Joe: Have any of the notable Missouri-based emcees or battle rappers been out there protesting and what kind of role have they played? Ooops: The meaning of my sign is that I am an educated black man and that I should be able Ooops: I want you to put it just like this: I don’t care about none of these cats that’s not ooops DONT SLEEP out here and are not fighting. Anyone who has been out here for publicity, f**k y’all. [sic] But yeah, T Dubb O of Street Status has been out there protesting non-stop. He’s always been against police brutality; f**king with the police as they pull people over and telling them, “Y’all f**king with people who pay taxes instead of chasing the real criminals.” If you haven’t come out and supported the protest, f**k you and your thoughts. B Magic came out and showed love at the protest. You know that’s the fam, so you know he had to come out and show love. Joe: OK, let’s turn to battle rap. Do you feel that battle rappers can make music? Ooops: I’ll put it to you like this, back in 2006 I was signed to [Ludacris’ label] Disturbing Tha Peace. I have had songs on TV shows; two of my singles have been theme songs to shows, plus I’m a freelance songwriter. So I’ve done my thing and have made over $150,000 as an unsigned artist, so I’m used to this. A few of the battle n***as are making good music, like Tsu Surf. Verb makes good music, but Aye verb is lazy as s**t. I don’t like Aye Verb personally, but you can’t deny his talent — but he doesn’t have the passion for this. Imagine if he had Danny Myers’ passion, he would be one of the greats. B Magic makes good music. Big Kannon 25