100 BARS MAGAZINE 007 Mar/Apr 2014 | Page 35

angles and hopefully it will work out. It’s something that’s never been done in a battle before. I don’t want to really give it away, but we’re trying this insane new camera move that will be going throughout the entire battle but it won’t block anybody’s view of the battle. Nelson and I are really excited about it. that you see aren’t even really doing that; they’re still in 2K. So we’re filming at resolutions higher than most feature films are and uploading it to YouTube. First you’ve got to do the audio editing, then you do color grading, then you do graphics, and then you render it, export it, compress it, then upload. Evan: Tell the fans just how long it takes to edit a battle. I feel like a lot of people don’t understand that it’s a lengthy process. Evan: So all in all, how long does it take? Avocado: I’m glad you said that because I feel like a lot of people don’t really realize how much actual work goes into the process of postproduction. We’re filming in 4K. Feature films Avocado: For a whole event it takes a long time. I don’t edit them all at once, I do them as I go. For example, for “The Saurus vs. Charron”, editing probably takes me an hour, rendering takes two hours, and that’s in 4K. That’s amazing. On my old box, it used to take me like three days to render out a battle in 4K. Then you have to compress it, which takes about two hours. The uploading is the slowest part. The uploading takes about four hours, and then you have to wait for it to process. So allin-all, to get a battle online it takes about a weekend of work. And then you have to babysit it while it’s compressing, because sometimes it fails. It’s almost a full-time job. I know some people who do this for a living. I don’t. I work in visual effects for a living. I work 13-hour days and I come home and edit until like two in the morning. 35